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Escoda Optimo Kolinsky Sable Brushes - 2410 Round
This handmade watercolor brush is designed to hold a tremendous amount of color in its full bodied Kolinsky Sable belly and release long, thin lines through its extra long Kolinsky point. Nickel plated seamless ferrules, blue lacquered handles.
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Tassotti Paper - Violet Brocade 19.5"x27.5" Sheet
Tassotti papers started at the Remondini printing house, which was active in Venice from 1657-1862. In 1957 Giorgio Tassotti resumed the Remondini’s old business and began presenting hand-coloured prints. Today, Tassotti papers are manufactured using the highest quality acid-free materials and highly lightfast inks. The patterns and styles are breathtakingly beautiful and have a timeless quality. We are fortunate to be able to import these papers directly from Italy. You will receive one 19.5" x 27.5" sheet of this Tassotti paper, imported directly from Italy!
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Nepalese Marbled Paper- Multicolor Speckled Waves
These gorgeous papers are handmade by artisans in Nepal. The base paper is lokta (a tree fiber native to the country). Artisans float color inks on top of water baths to create the intricate marbled patterns. No two sheets are alike! Vivid colors are combined with classical combed marbling techniques. Ideal for book end papers, bookmaking, collage, card making, scrapbooking, and all paper arts. Sheets measure approximately 20x30".
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Winsor & Newton Professional Watercolor Field Box
This lightweight, compact box contains everything required for outdoor painting. The durable plastic box contains: 1 x Pocket Brush, 1 x Artists’ Sponge, 1 x 35ml capacity water bottle, 1 x Water container, 12 x Half pans of Artists’ Water Colour: Winsor Lemon Yellow, Winsor Yellow, Winsor Red, Permanent Alizarine Crimson, French Ultramarine, Winsor Blue (Green Hue), Winsor Green (Yellow Umber), Yellow Ochre, Burnt Sienna, Raw Umber, Ivory Black, Chinese White. Actual contents may vary.
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Rossi Italian Letterpress Paper- Blue Pineapples
Developed in the 14th century, letterpress printing involves setting
type and motifs in reverse on a letterpress plate. The plate is then
inked and pressed on to the surface of paper. The pressing process
transfers the ink and leaves a deep impression
on the paper creating a three dimensional print that has a feel unlike
any other type of printing. The nature of the printing demands a high
quality, and generally heavier weight, paper that will not tear or thin
when pressed. Rossi 1931 uses a perfect type of paper containing fibers
that are soft and readily accept an impression as well as ink. As you
might expect, letterpress printing is both time consuming and
labor-intensive. Prints are made one-at-a-time with each print having
its own unique variations of ink coverage and depth of impression.
Usually, letterpress is reserved for short-run items such as
invitations, personal stationery, greeting cards and special decorative
papers. Beautiful tactile and simply exquisite, letterpress printing has
a rich, warm feel that one can’t help but appreciate. 120gsm, 20x28
inches.
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