Are you looking for:
|
Michael Hardings Artists Oil Painting Medium
PM1 is a basic paint medium, designed to ease flow and increase gloss, transparency, depth and beauty of the pigment colour. Linseed stand oil based medium that prevents "yellowing" of paint film.
|
Hand Made Korean Hanji Paper- Mustard Yellow
This hanji is handmade using 100% Korean mulberry fiber, or in the Korean language, "cham dak". Measures 25 x 37 inches, 35g/m². Hanji is an excellent paper for book repair, printmaking, calligraphy, painting, bookbinding, and even for making everyday household and interior items like sliding doors and lanterns. There are several bright, beautiful colors available, making this an excellent choice for chine colle. The colors also make Hanji a great choice for collage, multimedia, and encaustic painting.
|
Martin Universal Mijello Fredi Weber Palette
This palette has a flat and reliable surface that will not bow. Acrylic colors peel off and oil colors wipe off clean. It has an unobstructed 12.75" x 8.875" surface with a slight lip to prevent paint from migrating off the edges.
|
Art Alternatives Bag o' Brushes - 25 Brushes
This 25 brush assortment features a wide range of choices in filament, size and shape to suit practically any art or craft application. Use with oil, acrylic, watercolor, tempera, gouache and more. With brushes this economical they're great for any application where the bursh may only be expected to endure a few uses. Set includes: two 1"foar; 1" chip; six golden nylon (two each eashes, shaders and rounds); five white nylon (two shaders, one each liner, round and angular shade); five camel hair (three rounds and 2 washes); two sable rounds; and four bristle brushes (three flats and a round)
|
Michael Harding Non Absorbent Acrylic Primer
This is not just another primer! After many years of talking to artists and listening to their needs, I have specifically formulated my primer to be non absorbent. This means artists will no longer be frustrated by the dullness of paint which has had the oil drawn out resulting in flat, muted looking paint surfaces. Countless numbers of artists have called me over the years asking the question, “Why has my paint gone dull overnight?” My question in return; “Did you paint upon an acrylic primed surface?” The replies have always been, “Yes how did you know?
Although this product is non absorbing it will provide a strong bond to the layers of paint applied with just enough tooth so not to be greasy in feel. The result after painting upon my non absorbent acrylic primer: oil paint colours that look as though you have just brushed them on to your canvas!
|